Portrait photography

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Portrait

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Portrait photography (also known as portraiture) is the capture by means of photography of the likeness of a person or a small group of people, in which the face and its expression is predominant. The objective is to display the likeness, personality, and even the mood of the person. Like other types of portraiture, the focus of the photograph is the person's face, although the entire body and the background may be included. A portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the camera.

Unlike many other styles of photography, the subjects of portrait photography are non-professional models. Many family portraits and photographs that commemorate special occasions, such as graduations or weddings, are professionally produced and hang in private homes. Most portraits are not intended for public exhibition.

Portrait photography has been around since the invention and popularization of the camera. It is a cheaper and often more accessible method than portrait painting, which has been used by distinguished figures before the popularity of the camera.

The relatively low cost of the daguerreotype in the middle of the 19th century lead to its popularity for portraiture. Studios sprang up in cities around the world, some cranking out more than 500 plates a day. The style of these early works reflected the technical challenges associated with 30-second exposure times and the painterly aesthetic of the time. Subjects were generally seated against plain backgrounds and lit with the soft light of an overhead window and whatever else could be reflected with mirrors. As the equipment became more advanced, the ability to capture images with short exposure times gave photographer more creative freedom and thus created new styles of portrait photography.

As photographic techniques developed, photographers took their talents out of the studio and onto battlefields, across oceans and into remote wilderness. William Shew's Daguerreotype Saloon, Roger Fenton's Photographic Van and Mathew Brady's What-is-it? wagon set the standards for making portraits and other photographs in the field.

 

A good portrait will contain at least one element that reveals the subject’s personality, attitude, unique mannerisms or any of the other features or traits that form the individual nature of the person. It will tell us something about the subject. You may have heard someone remark that a particular photographer “really captured” their father or child, for example, in a picture. They are referring in part to the image being a true physical likeness, but what they are really saying is that the image also reveals a significant, identifiable part of the subject’s character. The portrait photographer who has never previously met the subject therefore has quite a challenge.

Self-portraits
Who knows you better than you? And who will be less embarrassed by you than you? And that's why a self-portrait may be the most fun and creative picture you'll ever take.

  • Unless you have very long arms, make sure you know how to use your camera's self timer. Or use your camera's close-up mode. Simply hold the camera and point it back at yourself.
  • If your camera has a zoom lens, use its wide-angle portion.
  • Be playful with the environment you photograph yourself in. In the car, at work, at the breakfast table, on the phone, or hugging the cat
  • Decide what you want to say about yourself: serious, introspective, playful, or lonely.

Pante,a Naghdi

When you understand the many techniques for portraying a person in a picture, you will expand your creative options in the world of people photography.

Semi-formal portraits
Truly good people pictures seldom happen all by themselves. They take planning. Even casual-looking people pictures are often planned. Some planning is purely technical, such as selecting equipment and lighting. Other planning may include choosing your subject's clothing, hairstyle, pose, and setting.

 

The hallmark of a portrait is that you take control and leave little to chance. Will a portrait simply be a flattering likeness or a glimpse into your subject's personality? When you know what you want to achieve, everything else should work toward that end: the setting, the clothing, the props, the pose, the lighting, the composition, and so on.

 

Consider these tips:

 

  • Use soft, diffused lighting—such as cloudy-day lighting or indirect window light—to reveal your subject's features in a flattering way.
  • Keep the background simple to avoid distracting elements, but make it relevant to the portrayal of your subject.
  • Move in close for an above-the-waist or head-and-shoulders composition; for a less traditional approach, move back to show the entire figure.
  • Position your camera at or slightly below your subject's eye level.
  • Pay particular attention to the position of hands and the angle of the head. In a portrait, hands and head can easily look awkward.

 Groups

In general it's easier to take group pictures outdoors so if you have a choice, move everybody outside. If this isn't an option, then follow our suggestions for indoor group pictures.

 

Outdoors—Take your straightforward record picture of people arranged in rows. If sunny, position the group so the sun is lighting their faces. If cloudy, no special care is needed.

 

  • Consider using a car, a tree, or a swing set as a device for arranging your group.
  • Have the group strike up varied poses: some looking directly at the camera, others looking to the side; some standing, some holding onto something and leaning.
  • Try to create two or three different small arrangements within the bigger group. One or two loose triangles of three people each works well.
  • Use a plain background that doesn't distract from the group.

 Self-portrait is a representation of an artist, drawn, painted, photographed, or sculpted by the artist. Although self-portraits have been made by artists since the earliest times, it is not until the Early Renaissance in the mid 1400s that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. The probable example by Jan van Eyck of 1433 is the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular

Pante,a Naghdi

with her friends in Gole Mariam school